C venues

Welcome to C venues, the home of theatre and new work at the Edinburgh Festival Fringe. Our curated programme, showcasing new writing, classic drama, musicals, opera, music, dance, comedy, cabaret, circus, children's and family shows and visual and performance art, makes us one of the largest venue seasons on the Fringe. During the Festival each August, over 200 events take place in our theatres, café-bars, foyers and exhibition spaces, created by over 2,000 participants from more than 150 companies.

You can browse our 2017 programme here or by using the CtheFestival link in the header of this page.

Our website also contains information on joining our team or bringing a show or event to join our programme. For more information and resources, please see the links above.

For more information about the Edinburgh Festival Fringe, you can visit the Fringe Society website, www.edfringe.com

C venues vibrant vivacious variety. It's a Festival all of its own. Make sure you see it all.

Save Stage Lighting

Please take a moment to find out about proposed changes to the regulations affecting the energy efficiency of stage lighting. These proposals will affect all theatres, tv and film studios, museums and galleries in the EU (including the UK) and will have consequences in the rest of the world.

These proposals could see the end of stage lighting in its current form and to the way that productions are created today, the closure of venues, theatre companies and lighting suppliers, the loss of festivals, and economic downturn and loss of jobs. The Fringe and emerging theatre sectors will be among the hardest hit.

Under the proposals, the majority of lighting fixtures used in theatres would become obsolete. Units which have given service for years with just a little regular maintenance and a new bulb every now and again would become scrap metal and glass. The regulation would not only affect traditional lights. Newly designed and currently manufactured LED lighting units and moving lights would also be banned under the proposals, as they are not efficient enough for the regulations.

The manufacturing sector does not have new units planned which would comply with the regulations, and it is even in doubt that theatrical spotlights could be made which comply – the regulations are about making lighting more efficient and set a very high bar around the brightness of the light against the power used, and spotlights and other focussed lighting units of the type used in theatre fall foul of the regulations by their nature.

Even if it is within the possibilities of physics to create lighting units that are capable of meeting the proposals and keeping the functionality of exiting units, this is unlikely to be be financially achievable. The theatre sector is not big enough for manufacturers to justify this level of research and development into new technology. Replacement lights are likely to be expensive, come with high environmental impact, and are unlikely to provide the functionality of current theatrical spotlights. They may not even be able to dim. Many, if not most, theatres will simply not have the budget to replace their entire lighting equipment.

As well as replacing their lighting equipment, theatres and lighting supply companies would also need to replace control equipment. This could have a prohibitive cost. The arts and entertainment industry will have almost no reliable tools whatsoever with which to light plays, musicals, concerts or exhibitions. The art of stage lighting may be unable to be practised in its current form. Productions which are created now could be impossible to create in the future. Production values may need to be downscaled or simplified. Productions may be unable to find venues.

The proposed regulations take no account of the fact that the normal use of theatrical lighting fittings has a relatively low energy consumption. Theatrical lighting fittings are rarely all on at once or run at full, and that they are normally only run for short periods each day (Festivals such as Edinburgh being an exception). Studies have found that on average, performance lighting forms less than 5% of a theatre’s total power consumption. Many organisations of all sizes, including Edinburgh Fringe venues, have already taken big steps to reduce power consumption and to use more energy efficient equipment.

The current regulations have an exemption for lighting used for performance, but this is not included in the new regulations.

This proposal has the potential to severely affect the theatre industry in the UK, Europe and the rest of the world – with the loss of the European manufacturing market, worldwide manufacture of lighting units and bulbs is likely to be affected, and supply of units in other countries will be adversely affected. There may also be fewer theatre productions being made Europe and the UK available for touring to the rest of the world. And there may no longer be an Edinburgh Fringe, or if there is, it may have far fewer venues and opportunities for shows.

We would like to ask for your help.

Here is what you can do:

• Please like this page on Facebook: https://www.facebook.com/SaveStageLighting/. Please share the page with their friends, family and colleagues and spread the word.

• Please sign this petition on change.org: https://www.change.org/p/energy4europe-keep-stage-lighting-exempt-from-proposed-legislation-changes-savestagelighting. Please share the petition with their friends, family and colleagues and spread the word.

• There is an open consultation via the European Commission which closes on 07 May. This consultation is very general, taking in all points of the proposals on domestic appliances that don’t necessarily concern venue operations, but there is space to leave comments. Please complete the consultation, and ask for an guaranteed exemption from these regulations to be introduced for live performance, tv and film, exhibitons and museums and the cultural sector: https://ec.europa.eu/eusurvey/runner/Ecodesign-EnergyLabelling-5-priority-product-groups

• If you are based in the UK or elsewhere in Europe, please write to your MEP, and also to your MP (or equivalent), and if you have time government departments responsible for for culture, for business/trade and for energy efficiency. If you are based in the rest of the world and you would like to help, please contact local EU embassies and national/local theatre/cultural associations and arts agencies.

• The Association of Lighting Designers website has more information and also host sample letters for writing to MEPs should you wish to do so: https://www.ald.org.uk/news/194622/save-stage-lighting-proposed-eu-changes-have-very-serious-implications-for-the-industry

Thank you for your time.

#savestagelighting